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Classification of cadences
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I. Authentic cadence: V to I.
A. Perfect authentic cadence (PAC): The chords are in root position; that is, the roots of both chords are in the bass, and the root of the final chord is in the highest voice. A PAC is a progression from V to I in major keys, and V to i in minor keys.

B. Imperfect authentic cadence (IAC):
1. Root position IAC: the highest voice is not the tonic
2. Inverted IAC: one or both chords must be inverted
3. Leading tone IAC: V is replaced with vii°
Authentic:
V-I, V-i

Plagal:
IV-I, iv-i

Half:
x-V

Deceptive:
V-(VI), V-(vi)
II. Half cadence: any cadence ending on V, whether preceded by ii, IV, or I, or any other chord.

III. Plagal cadence: IV to I, also known as the "Amen Cadence"

IV. Deceptive (or interrupted) cadence: V to any chord except I (typically vi or VI).

From: Wikipedia article