Nonharmonic Tones
• anticipation
• neighboring tone
• upper neighboring tone
• escape tone
• passing tone, descending
• passing tone, ascending
• passing tone
• suspension
• suspension, elided passing tone
• suspension
• 2-3 suspension
• appoggiatura
• portamento
• nonharmonic bass
• changing tones
• pedal point
• chromatic nonharmonic tone
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• An anticipation (ANT) occurs when a note is played before the chord to which the note belongs and resolves when the "anticipated" chord is reached:
Nonharmonic Tone
Neighbor tone
• A neighbor tone (NT) or auxiliary note is a nonchord tone that passes from a chord tone directly above or below it and resolves to the same tone:
Nonharmonic Tone
In practice and analysis, neighboring tones are often differentiated depending upon whether or not they are lower or higher than the chord tones surrounding them. A neighboring tone that is a step higher than the surrounding chord tones is called an upper neighboring tone or an upper auxiliary note while a neighboring tone that is a step lower than the surrounding chord tones is a lower neighboring tone or lower auxiliary note.
Nonharmonic Tone

Passing tone
As with above but on an accented beat.
Nonharmonic Tone
Neighbor tone
As with above but on an accented beat.

Endeavor, moreover, to introduce suspensions now in this voice, now in that, for it is incredible how much grace the melody acquires by this means. And every note which has a special function is rendered audible thereby. —Johann Joseph Fux (1725), [9]
Nonharmonic Tone
A suspension (SUS) (sometimes referred to as a syncope[8]) occurs when the harmony shifts from one chord to another, but one or more notes of the first chord (the "Preparation") are either temporarily held over into or are played again against the second chord (against which they are nonchord tones called the "Suspension") before resolving to a chord tone stepwise (the "Resolution"). Note that the whole process is called a suspension as well as the specific non-chord tone(s): Suspension as an elided passing tone:
Nonharmonic Tone
Suspensions may be further described using the number of the interval forming the suspension and its resolution; e.g. 4-3 suspension, 7-6 suspension, or 9-8 suspension. Suspensions resolve downwards; otherwise it is a retardation. A suspension must be prepared with the same note (in the same voice) using a chord tone in the preceding chord; otherwise it is an appoggiatura.
Nonharmonic Tone
2-3 suspension in Lassus's Beatus vir in sapientia, mm.23-24

Decorated suspensions are common and consist of portamentos or double eighth notes, the second being a lower neighbor tone. A chain of suspensions constitutes the fourth species of counterpoint; an example may be found in the second movement of Arcangelo Corelli's "Christmas Concerto".

• An appoggiatura (APP) is a type of accented incomplete neighbor tone approached skip-wise from one chord tone and resolved stepwise to another chord tone ("overshooting" the chord tone).
Nonharmonic Tone
• A portamento is the late Renaissance precursor to the anticipation,[10] though today it refers to a glissando.
Nonharmonic Tone
Nonharmonic bass
• Nonharmonic bass notes are bass notes which are not a member of the chord below which they are written. Examples include the Elektra chord.
Nonharmonic Tone
Nonharmonic bass from Stravinsky's Symphony of Psalms 3rd mov.

Changing tones
• Changing tones (CT) are two successive nonharmonic tones. A chord tone steps to a nonchord tone which skips to another nonchord tone which leads by step to a chord tone, often the same chord tone. They may imply neighboring tones with a missing or implied note in the middle. Also called double neighboring tones or neighbor group.[2]
Nonharmonic Tone

Pedal point
Another form of nonchord tone is a pedal point or pedal tone (PD) or note, almost always the tonic or dominant, which is held through a series of chord changes. The pedal point is almost always in the lowest voice (the term originates from organ playing), but it may be in an upper voice; then it may be called an inverted pedal. It may also be between the upper and lower voices, in which case it is called an internal pedal.
Nonharmonic Tone
Chromatic nonharmonic tone
A chromatic nonharmonic tone is a nonharmonic tone that is chromatic, or outside of the key and creates half-step motion. The use of which, especially chromatic appoggiaturas and chromatic passing tones, increased in the Romantic Period.[13]
Nonharmonic Tone
Chromatic nonharmonic tones (in red) in Frédéric Chopin's op. 28, no. 21, mm. 1-4[13]

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